Uittreksel
during performance but also during visual and auditory observation of
activity. This phenomenon is commonly called cerebral resonance behavior.
This would mean that cortical motor regions would not only be
activated while singing, but also while listening to music. The same
should hold true for playing a music instrument. Although most individuals
are able to sing along when they hear a melody, even highly
skilled instrumentalists, however, are frequently unable to play by ear.
They are score-dependent—i.e. they are only able to play a piece of music
when they have access to the notes—while musicians who are able to play
by ear and improvise are non score-dependent; they are able to play
without notes. Our hypothesis is that score-dependent instrumentalists
will exhibit less cerebral resonance behavior than non score-dependent
musicians while listening to music. Using fMRI to measure BOLD response,
subjects listen to two-part harmony presented with headphones.
The following experimental conditions are distinguished: (1) well-known
vs. unknown music (2) motor imagery vs. attentive listening. A voxelbased
analysis of differences between the condition-related cerebral activations
is performed using Statistical Parametric Mapping.
| Originele taal-2 | English |
|---|---|
| Titel | Proceedings of ISPS 2011 |
| Redacteuren | Aaron Williamon, Darryl Edwards, Lee Bartel |
| Plaats van productie | Utrecht |
| Uitgeverij | Association Européenne des Conservatoires, Académies de Musique et Musikhochschulen (AEC) |
| Pagina's | 359-364 |
| ISBN van geprinte versie | 978-94-90306-02-1 |
| Status | Published - 2011 |
| Evenement | 3rd International Symposium on Performance Science (ISPS) 2011: Models of Performance - Faculty of Music, University of Toronto, Toronto, Canada Duur: 24 aug 2011 → 27 aug 2011 Congresnummer: 3rd http://www.performancescience.org/ISPS2011/ |
Conference
| Conference | 3rd International Symposium on Performance Science (ISPS) 2011 |
|---|---|
| Verkorte titel | ISPS 2011 |
| Land | Canada |
| Stad | Toronto |
| Periode | 24/08/11 → 27/08/11 |
| Internet adres |
Vingerafdruk
Keywords
- muziek
- hersenen
Citeer dit
}
The role of cerebral resonance behavior in the control of music performance : an fMRI study. / Harris, Robert; de Jong, Bauke.
Proceedings of ISPS 2011. redactie / Aaron Williamon; Darryl Edwards; Lee Bartel. Utrecht : Association Européenne des Conservatoires, Académies de Musique et Musikhochschulen (AEC), 2011. blz. 359-364.Onderzoeksoutput: Contribution to conference proceeding › Academic › peer review
TY - GEN
T1 - The role of cerebral resonance behavior in the control of music performance
T2 - an fMRI study
AU - Harris, Robert
AU - de Jong, Bauke
PY - 2011
Y1 - 2011
N2 - Mirror neurons in the cerebral cortex have been shown to fire not onlyduring performance but also during visual and auditory observation ofactivity. This phenomenon is commonly called cerebral resonance behavior.This would mean that cortical motor regions would not only beactivated while singing, but also while listening to music. The sameshould hold true for playing a music instrument. Although most individualsare able to sing along when they hear a melody, even highlyskilled instrumentalists, however, are frequently unable to play by ear.They are score-dependent—i.e. they are only able to play a piece of musicwhen they have access to the notes—while musicians who are able to playby ear and improvise are non score-dependent; they are able to playwithout notes. Our hypothesis is that score-dependent instrumentalistswill exhibit less cerebral resonance behavior than non score-dependentmusicians while listening to music. Using fMRI to measure BOLD response,subjects listen to two-part harmony presented with headphones.The following experimental conditions are distinguished: (1) well-knownvs. unknown music (2) motor imagery vs. attentive listening. A voxelbasedanalysis of differences between the condition-related cerebral activationsis performed using Statistical Parametric Mapping.
AB - Mirror neurons in the cerebral cortex have been shown to fire not onlyduring performance but also during visual and auditory observation ofactivity. This phenomenon is commonly called cerebral resonance behavior.This would mean that cortical motor regions would not only beactivated while singing, but also while listening to music. The sameshould hold true for playing a music instrument. Although most individualsare able to sing along when they hear a melody, even highlyskilled instrumentalists, however, are frequently unable to play by ear.They are score-dependent—i.e. they are only able to play a piece of musicwhen they have access to the notes—while musicians who are able to playby ear and improvise are non score-dependent; they are able to playwithout notes. Our hypothesis is that score-dependent instrumentalistswill exhibit less cerebral resonance behavior than non score-dependentmusicians while listening to music. Using fMRI to measure BOLD response,subjects listen to two-part harmony presented with headphones.The following experimental conditions are distinguished: (1) well-knownvs. unknown music (2) motor imagery vs. attentive listening. A voxelbasedanalysis of differences between the condition-related cerebral activationsis performed using Statistical Parametric Mapping.
KW - non score-dependency
KW - cerebral resonance behavior
KW - motor control
KW - music performance
KW - brain imaging
KW - muziek
KW - hersenen
M3 - Contribution to conference proceeding
SN - 978-94-90306-02-1
SP - 359
EP - 364
BT - Proceedings of ISPS 2011
A2 - Williamon, Aaron
A2 - Edwards, Darryl
A2 - Bartel, Lee
PB - Association Européenne des Conservatoires, Académies de Musique et Musikhochschulen (AEC)
CY - Utrecht
ER -