Uittreksel
Originele taal-2 | English |
---|---|
Titel | The Oxford handbook of community music |
Redacteuren | Brydie-Leigh Bartleet, Lee Higgins |
Plaats van productie | New York |
Uitgeverij | Oxford University Press |
Pagina's | 343-364 |
ISBN van geprinte versie | 9780190219505 |
Status | Published - 2018 |
Vingerafdruk
Keywords
- cultuurbeleid
- muziek
Citeer dit
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Community music in cultural policy. / Van den Hoogen, Quirijn; Bisschop Boele, Evert.
The Oxford handbook of community music. redactie / Brydie-Leigh Bartleet; Lee Higgins. New York : Oxford University Press, 2018. blz. 343-364.Onderzoeksoutput: Chapter › Academic › peer review
TY - CHAP
T1 - Community music in cultural policy
AU - Van den Hoogen, Quirijn
AU - Bisschop Boele, Evert
PY - 2018
Y1 - 2018
N2 - Community Music presents a contested field. Cultural policy has had a hard time dealing with community music because aesthetic intentions, social objectives and economic motivations may all play a role for actors and sometimes clash. This chapter provides a scheme of the basic tensions inherent to community music in the cultural policy fields which can form the basis for ‘negotiations’ between actors. The scheme is based upon the pragmatic sociology of Boltanski and Thévenot who provide a grid of sometimes conflicting and sometimes aligning values that can be present in any social situation. Their grid will be applied to the practice of community music in an effort to provide insight into the intricacies of cultural policies regarding this particular form of music as well as into the practicalities of the practice of community musicians working in a field in which cultural policy making plays an often vital role.
AB - Community Music presents a contested field. Cultural policy has had a hard time dealing with community music because aesthetic intentions, social objectives and economic motivations may all play a role for actors and sometimes clash. This chapter provides a scheme of the basic tensions inherent to community music in the cultural policy fields which can form the basis for ‘negotiations’ between actors. The scheme is based upon the pragmatic sociology of Boltanski and Thévenot who provide a grid of sometimes conflicting and sometimes aligning values that can be present in any social situation. Their grid will be applied to the practice of community music in an effort to provide insight into the intricacies of cultural policies regarding this particular form of music as well as into the practicalities of the practice of community musicians working in a field in which cultural policy making plays an often vital role.
KW - cultuurbeleid
KW - muziek
KW - community music
KW - cultural policy
M3 - Chapter
SN - 9780190219505
SP - 343
EP - 364
BT - The Oxford handbook of community music
A2 - Bartleet, Brydie-Leigh
A2 - Higgins, Lee
PB - Oxford University Press
CY - New York
ER -