Samenvatting
This article presents and discusses an extracurricular, co-constructed programme: “The Catalyst Club” as a form of Artistic Educational Commoning (AEC). Having been developed as part of a PhD research at Minerva Art Academy (Groningen, The
Netherlands), The Catalyst Club (TCC) explored new perspectives on the education of artists and designers in a globalized world and created alternative modes of operating in higher art education. It brought together students, alumni, teachers from a range of disciplines, and external participants. During developing TCC, the author occupied a dual role as researcher and participant, working together with others in an artistic co-creative process. TCC drew on and developed the methods relating to Collaborative Autoethnography, Participatory Action Research and Artistic Research. This study presents AEC as a communal effort to build spaces for learning and experimentation. They are created through interaction and cooperation, based on social relations and the production of shared values. As such it can offer a counterbalance to the extensive individualisation, instrumentalization, and commodification of communities in higher art education. The article formulates some recommendations on how AEC can reconnect the education of artists and designers with the role of the arts in wider technological, societal, and political contexts.
Netherlands), The Catalyst Club (TCC) explored new perspectives on the education of artists and designers in a globalized world and created alternative modes of operating in higher art education. It brought together students, alumni, teachers from a range of disciplines, and external participants. During developing TCC, the author occupied a dual role as researcher and participant, working together with others in an artistic co-creative process. TCC drew on and developed the methods relating to Collaborative Autoethnography, Participatory Action Research and Artistic Research. This study presents AEC as a communal effort to build spaces for learning and experimentation. They are created through interaction and cooperation, based on social relations and the production of shared values. As such it can offer a counterbalance to the extensive individualisation, instrumentalization, and commodification of communities in higher art education. The article formulates some recommendations on how AEC can reconnect the education of artists and designers with the role of the arts in wider technological, societal, and political contexts.
| Originele taal-2 | English |
|---|---|
| Pagina's (van-tot) | 65-96 |
| Aantal pagina's | 31 |
| Tijdschrift | European Journal of Philosophy in Arts Education |
| Volume | 7 |
| Nummer van het tijdschrift | 1 |
| Status | Published - 17 dec. 2022 |
Duurzame ontwikkelingsdoelstellingen van de VN
Deze output draagt bij aan de volgende duurzame ontwikkelingsdoelstelling(en)
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SDG 03 – Goede gezondheid en welzijn
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SDG 04 – Kwaliteitsonderwijs
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SDG 09 – Industrie, innovatie en infrastructuur
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SDG 10 – Minder ongelijkheid
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SDG 11 – Duurzame steden en gemeenschappen
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SDG 17 Partnerschap om de doelen te bereiken
Keywords
- hoger kunstonderwijs
- neoliberalisme
- gemeengoed
- leren door verschil
Research Focus Areas Hanze University of Applied Sciences
- Kunsten
Research Focus Areas Research Centre or Centre of Expertise
- Kunst en Welzijn
- Kunst
- Gezond Ouder Worden
- Kunst, Leren en Participeren
Publinova thema's
- Taal, Cultuur & Kunsten
- Opvoeding en Onderwijs
- Ruimtelijke ordening en Planning
- Natuur & Landbouw
- Recreatie, Beweging & Sport
- Mens en Maatschappij
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