Abstract
This was the first time I attended a Pop and Jazz Platform meeting of the AEC. My involvement with AEC goes back for some time now. My first experience dates from 20 years ago, when I witnessed Yehudi Menuhin standing on a staircase addressing the delegates of the AEC Conference in Brussels. I think at that conference the number of delegates was lower than the 170 people that have been present these two days. The AEC has grown. The number of pop, jazz, world and folk music schools and departments has grown. Its importance within the sector has grown. And that shows in this meeting.
| Translated title of the contribution | De zeepbel uit: slotreflecties voor het Pop en Jazz Platform van de AEC op Trinity Laban Conservatoire of Music and Dance |
|---|---|
| Original language | English |
| Number of pages | 5 |
| Publication status | Published - 18 Feb 2017 |
| Event | AEC Pop and Jazz Platform 2017 - Trinity Laban Conservatoire of Music and Dance, London, United Kingdom Duration: 17 Feb 2017 → 19 Feb 2017 http://www.aec-music.eu/events/pop-and-jazz-platform-2017 |
Conference
| Conference | AEC Pop and Jazz Platform 2017 |
|---|---|
| Country/Territory | United Kingdom |
| City | London |
| Period | 17/02/17 → 19/02/17 |
| Internet address |
Keywords
- music
- musicians
- audiences
- conservatoires
- pop
- jazz