Improvisation and identity: a biographical perspective

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Abstract

Seeing improvisation as something that really needs its place in conservatoire training and education may be more or less ‘new’. However improvisation itself is of course not at all new and has existed since as long as we can remember. I will not go into that any further, it would take not a single address but a symposium of at least two weeks.
Original languageEnglish
Title of host publicationEuropean Impro Intensive 2013
Pages17-24
Publication statusPublished - Nov 2013
EventERASMUS European Impro Intensive 2013 Seminar: “Improvisation and Today’s Concert Practice” - Royal Conservatoire, The Hague, Netherlands
Duration: 30 Oct 20138 Nov 2013
http://www.koncon.nl/nl/nieuws-en-concerten/impro-intensive/

Seminar

SeminarERASMUS European Impro Intensive 2013 Seminar
CountryNetherlands
CityThe Hague
Period30/10/138/11/13
Internet address

Keywords

  • improvisation
  • conservatories
  • classical music curriculum

Cite this

Smilde, R. (2013). Improvisation and identity: a biographical perspective. In European Impro Intensive 2013 (pp. 17-24)
Smilde, Rineke. / Improvisation and identity : a biographical perspective. European Impro Intensive 2013. 2013. pp. 17-24
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Smilde, R 2013, Improvisation and identity: a biographical perspective. in European Impro Intensive 2013. pp. 17-24, ERASMUS European Impro Intensive 2013 Seminar, The Hague, Netherlands, 30/10/13.

Improvisation and identity : a biographical perspective. / Smilde, Rineke.

European Impro Intensive 2013. 2013. p. 17-24.

Research output: Chapter in Book/Report/Conference proceedingContribution to conference proceedingProfessional

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Smilde R. Improvisation and identity: a biographical perspective. In European Impro Intensive 2013. 2013. p. 17-24