Abstract
Ebifananyi II – People Poses Places Andrea Stultiens.
People Poses Places is the second part of Ebifananyi, a book series that visualises historical Ugandan photo collections. In People Poses Places we delve into the archive of the photographer Musa Katuramu. In the mid 1930s, teacher and carpenter Musa Katuramu went around his neighbourhood with a simple camera to make portraits of family and friends. His portraits are remarkably intimate and revealing. This is unusual for the time and region where the images were produced. Most camera-owners were outsiders such as missionaries or colonists. Katuramu was an amateur photographer that constructed studios on site. The technology of his camera was limited but he maintained one basic rule that worked; never point your camera towards the sun. Katuramu’s archive was carefully stored by his son Jerry Bagonza. The archive consists of roughly 1500 negatives and 750 prints that have never been shown before. The book is composed of archival images that alternate with contemporary photographs made by Andrea Stultiens and her colleague Rumazi Canon, who grew up in the same region. People Poses Places is the second publication from a series of at least eight books, which present themselves as small intimate publications with an open spine and the local word for photographs printed on it, that literally translates into likenesses.
People Poses Places is the second part of Ebifananyi, a book series that visualises historical Ugandan photo collections. In People Poses Places we delve into the archive of the photographer Musa Katuramu. In the mid 1930s, teacher and carpenter Musa Katuramu went around his neighbourhood with a simple camera to make portraits of family and friends. His portraits are remarkably intimate and revealing. This is unusual for the time and region where the images were produced. Most camera-owners were outsiders such as missionaries or colonists. Katuramu was an amateur photographer that constructed studios on site. The technology of his camera was limited but he maintained one basic rule that worked; never point your camera towards the sun. Katuramu’s archive was carefully stored by his son Jerry Bagonza. The archive consists of roughly 1500 negatives and 750 prints that have never been shown before. The book is composed of archival images that alternate with contemporary photographs made by Andrea Stultiens and her colleague Rumazi Canon, who grew up in the same region. People Poses Places is the second publication from a series of at least eight books, which present themselves as small intimate publications with an open spine and the local word for photographs printed on it, that literally translates into likenesses.
| Original language | English |
|---|---|
| Publisher | YdocPublishing |
| Media of output | Online |
| Publication status | Published - 1 Nov 2014 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 03 Good Health and Well-being
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SDG 04 Quality Education
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SDG 09 Industry, Innovation, and Infrastructure
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SDG 10 Reduced Inequalities
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SDG 11 Sustainable Cities and Communities
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SDG 17 Partnerships for the Goals
Keywords
- photography
- historiography
- uganda
Research Focus Areas Hanze University of Applied Sciences * (mandatory by Hanze)
- Art
Research Focus Areas Research Centre or Centre of Expertise * (mandatory by Hanze)
- Art & Wellbeing
- Art
- Healthy Ageing
- Art, Learning and Participation
Publinova themes
- Language, Culture and Arts
- Education and Teaching
- Spatial Planning and Policy
- Nature and Agriculture
- Recreation, Exercise and Sports
- People and Society
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Ebifananyi: a study of photographs in Uganda in and through an artistic practice
Stultiens, A., 20 Nov 2018, 264 p.Research output: Ph.D. Thesis › PhD Research internal, graduation external
File -
Ebifananyi: the photographer's trilogy
Stultiens, A. (Photographer), 14 Sept 2018Research output: Non-textual form › Exhibition › Popular
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Ebifananyi
Stultiens, A. (Photographer), 26 Oct 2017Research output: Non-textual form › Exhibition › Other research output
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